Category: National Parks

The Art of Editing

Great Smoky Mountains National Park: Thirty Years of American Landscapes 

For the last few months I have been hard at work editing the images for my next book Great Smoky Mountains National Park: Thirty Years of American Landscapes. Part of the process of course is editing your work, both in deciding what images to use in the book, and then in working with each image individually to achieve the best possible printed piece. While this later part is done in Photoshop – it is much like being in the darkroom and making sure the “print” you end up with is what you had pre-visualized in the field.

I recently was on a friends blog where he talked about editing film and how there was a space of time between when you took the image and when you finally had a chance to see the image in film form after processing. His thought was that the distance in time helped you make better decisions about the images because the emotion of the day when you shot it was not as fresh. There may be something to that, especially in the day of digital photography where folks tend to edit their work even while it is still in the camera! This is never, never to be done! How can you tell what it really looks like on a 2” low resolution screen? It’s great for making sure your close on the exposure – although the histogram is better – I would never delete an image based on what I see at that point. But I digress.

 

Having worked on images from over a thirty year time span I have found the same emotions, or at least ones close to them come streaming back as I look at the images. I happen to be able to remember almost everything about a photograph I have taken – too bad I can’t remember things like that in real life – but it makes it easier for me to remember what I wanted the photograph to say and thereby make the correct adjustments to an image. Creating an image which comes as close as possible to what I was feeling and intended the image to look like in the first place.

 

The hardest part of editing is deciding which images should make the grade and be in the book. An example is the cover shot. Because of its importance it also has some additional requirements which must be met. It has to pull people in, take it off the book store shelf and make them want to open the book. Therefore, I tend to look at the covers of similar books, in this case other photographic books on Great Smoky Mountains National Park. I do this because I don’t want my book to look like theirs. I look for an image which will say something about the book but also have a more artistic bend to it. I had a working cover image for a long time from a shot I really loved. But when all was said and done it did not make the grade. Another shot seemed to work better and had a more emotional pull for those who saw all three covers (hey we started with a lot more ideas but narrowed it down to three before subjecting folks to give their opinions).

GSMNP Book Cover - Choice #2

GSMNP Book Cover - Choice #3

I think in some ways, my friend might have been right about distance and time in editing at least in this case. I let go of an image I really liked and had an emotional attachment to. And now that I see the new cover image I like it even better than my first choice. So what is your opinion – let me know – I’d love to hear your opinions too!

 

Peace,

Richard


Winter in the Smoky Mountains

Pines and Snow 

 

Late last week a spring snow storm dropped 12” – 17” on Great Smoky Mountains National Park. This is a rare event, especially in the last few years. As part of my next book project I have been sorting through 30 years of photographs from the park and have found myself woefully lacking winter shots. So with the snow totals looking good, but the temperatures expected to rise back into the 50’s and 60’s, I called my friend who happens to have access to a plane and we took off 24 hours later, on Saturday morning to head down to the snow. This seemed a bit crazy to most around here, since Chicago has been inundated with snow this winter, but it had to be done for the book.

We took off about 6:15am on Saturday morning and flew down the lakefront past Chicago. In the morning light the city looked great from the air and I snapped a few shots as we went by. The remainder of the flight was a beautiful blue sky smooth ride at 9500’. We arrived at the Gatlinburg airport at 10 or so and after picking up the rental car and a bit to eat we were in the park by 11:30.

On the drive up the mountains I started to get concerned because I had yet to see any snow! Were had it all gone? The weather reports had said there was even 5” on the ground in Gatlinburg, but it was not here now! I could not even see it on the edges of the cliffs. The farther up we went the more concerned I was that the trip had been for nothing! But then we reached the altitude where the base of the snow started. At the first creek with snow we pulled over and I began to shoot. It was almost like being in overdrive as I pointed the lens everywhere in a mad rush to get images. Predictably, these first shots were not very thoughtful. But after getting this first stop out of the way I began to settle down and really start to see images. As the snow depth increased, so did my concentration. It takes time and an openness to what is presented in front of you to find the images which will tell a story, make people want to linger over them. You can not be a bull in a china shop and just snap away if you want them to be interesting. You must slow down and see.

I worked streams with their snow covered rocks, hillsides with the pines covered with snow, small detail scenes of snow clinging to rocks, and icicles hanging from the cliffs. The biggest problem was it was a blue sky day – making it very sunny with the light casting shadows and making the images full of contrast. Not the best, but it worked and as the sun began to settle into the west the ridges blocked the light and gave me the perfect mix of soft light.

 

Rocks, Stream and Snow

 

Because we had only one day, and maybe a few hours in the morning, we could not spend any time hiking into some of my favorite places, but stayed near the main road. We saw a lot of folks building snowmen, even putting them around the antennas on their cars so they drove with small snowmen on their windshields. By evening I went to a few of the overlooks which give you those sweeping look up the valleys. Winter is the best time for those long views of the mountains as the clear air enables you to see much further than in the summer. By now there was also a steady stream of overcast clouds moving in, making a sunset either one of those things that will not happen, or will be stunning. I shot at one overlook and then just before sunset went to the most famous overlook for sunset in the park, Morton Overlook. As I pulled in no one else was there. Guess they all figured nothing would happen this evening. I knew enough to hang out and wait, with the camera setup. This brought a few people to pull off the road, some getting out and looking and then going on, some staying. And then, right on queue and as I thought it just might, the sun went below the bottoms of the clouds and lit up the undersides of the clouds in a spectacular sunset. Now cars were pulling off the road in great numbers! I kept shooting while people talked to me. The show would not last more than a few minutes and I had work to do. Within five minutes the sun was gone and the clouds returned to a dark gray. The day was over. It was time to think about the morning shots over dinner.

 

Sunset, Morton Overlook

 

Unfortunately, the weather back in Chicago looked like it would deteriorate early in the day Sunday, instead of staying nice until Monday. After much consternation, we agreed we needed to leave at dawn to get in before the weather in Chicago made it impossible for us to get back in the next three days. It would have been nice to have more time, but in the roughly 9 hours on the ground I was able to get enough I hope to fill out the book with the winter shots I so needed.

 

To see the entire selection of the trip use this link to see my quick gallery of images: www.mackphoto.com/blog/SmokiesWinter/

We’ll soon have a selection of these images for sale online in the Quiet Light Publishing Gallery, http://www.quietlightpublishing.com/shop/Gallery.htm were we already have images from this upcoming book and from the Lewis & Clark Trail American landscapes book.


On The Road Again – Zion & Bryce NP

Well today my son Sam and I are bound for Zion and Bryce National Parks in Utah. I had hoped to be able to report on how the new Canon 1Ds III worked in real life, instead of just all of the testing you here about on other blogs. Hoped to give you a real life, in the wilderness assessment. But alas, even though I order the camera through Calumet Photographic on the first day they took orders back on August 21st, it has yet to arrive. And unfortunately, no one at Canon or Calumet can give you and answer as to when it will be shipped and available. I know Calumet has 400 standing orders to fill, and while I am in the top 100, it seems no one is willing to talk about when I might receive it.

So, in the meantime Sam and I will head of to Zion and Bryce and have a great time, using the old equipment – my Canon 1Ds which I’ve used for the last 4 years. We will try to post some images from the road, but figure that may be impossible to do as there will be limited Internet connections. We’ll have an update when we return at least.

On to the roadways of America…

Richard.