Category: Quiet Light Publishing

Nature & Landscape Photography Workshops Announced!

Sunrise, Great Smoky Mountains National Park

Today we announced the Quiet Light Nature Photography Workshops in the Quiet Light eNewsletter! Here’s the announcement. (To see the entire eNewsletter go to www.quietlightpublishing.com/newsletters/Aug2008.html)

Quiet Light Publishing and Richard Mack Photography have teamed up to form the Quiet Light Workshops. These are nature photography workshops for photographers of all levels. Quiet Light Photography Workshops offer people interested in nature and landscape photography the ability to hone their skills in the digital world of photography today. Each workshop will enable you to expand your skills with your camera, teaching or enhancing your knowledge of composition, color balances, and color calibration to get consistent work results, as well as downloading your images into the computer and optimizing them in Photoshop. Not only do we focus on improving the images you create, but we aim to engage your imagination and expand your appreciation of the natural world. Our workshops are designed to take you to some of the best landscapes the lens can see!

Join professional photographer Richard Mack as he leads you through some of his favorite places in nature – teaching and sharing with you many of the important techniques that have made him a leading nature photographer. Richard has shot on assignments in all 50 states and many countries. His portfolio includes works in both color and black & white from many National Parks, National Forests, and wilderness areas. His work has been exhibited widely in galleries throughout the United States. He has won numerous awards including twice being honored by the International Photography Awards for his nature images. His book The Lewis & Clark Trail American Landscapes has won over a dozen major photography, book and design awards.

 

These are hands-on, in the field workshops with Richard. You will be in surroundings that get your creative juices flowing and will serve as a wonderful photographic classroom. At the end of the day, images will be reviewed and discussed as a group. Techniques will be shared and Richard will work with each of you to improve upon what you’ve shot. The take-away from this workshop will be a better knowledge of how to make your equipment work to the best of its ability, a new understanding of composition, lighting, filters, etc. and a plethora of tips to make your images get the “wow” response.

Not only do you receive the expertise of Richard, but you will find him fun, easy to work with and truly passionate about photography. His goal is to give every participant the most rewarding photographic and learning experience possible. So, why not come along and set your own goal – take home some stunning photographs!

Workshop Schedule

Starved Rock State Park, Illinois
September 28-29, 2008
Great Smoky Mountains National Park
Tennessee & North Carolina
October 19-23, 2008
Zion National Park, Utah
January 25-30, 2009
Bryce National Park, Utah
February 1-5, 2009
Saguaro National Park, Arizona
February 23-27, 2009
Yosemite National Park, California
March 22-27, 2009

Great Smoky Mountains National Park
Spring Wildflowers
April 19-23, 2009

More Coming Soon – including Alaska trips!

Email us to be put on the list to receive updates!

info@quietlightworkshops.com

For more information use the link to go to the Workshops home page!

www.quietlightworkshops.com

Hope to see you at one of our Workshops!


A Sad Day for Publishing

The Lewis & Clark Trail American Landscapes

 

I returned from my shoot last week in Great Smoky Mountain National Park to learn the very sad news that the finest book printer in the US, The Stinehour Press, had ceased operations. They have been lauded by, among others, the Washington Post, as the finest fine book printer – and by the many printing industry awards they have won over their 50 year run. Their client list included the Art Institute of Chicago, the San Francisco Fine Art Museums, the Museum of Modern Art, the Museum of Boston, the Norman Rockwell Museum, The Getty Museum, the Guggenheim, the Whitney and the Smithsonian. Publishers included Random House, Little-Brown and many university presses, including Harvard, Stanford, Yale, Princeton and Dartmouth. They have also printed the works for many photographers, and of course Quiet Light Publishing as this is where my book The Lewis & Clark Trail American Landscapes was printed.

 

We chose them for several reasons. One they were the best. They had shown us proofs on our paper selection using our images to prove they could deliver – even before we accepted their quote. Once we were there we could see first hand why they were/are the crafts men and women of such high caliber. Every one of them was dedicated to our project, from the front office, to production to the pressroom. And everyone had the right to say, wait, we need to do this before moving on – even as we were on press. Their quality and dedication to my book was never ending. And we quickly became part of the family there in their corner of Northeast Vermont. We dined at some of their homes, went to places around town with them and became friends. And I was only one of many hundreds or thousands of books they have printed over their 50 year run. It saddens me that their dedication to publishing has come to an end and that these folks will now be looking elsewhere for work.

One of the reasons they cited for their closing is the high competition with overseas printers. The cost of printing overseas has made it so many publisher’s choose this route. We considered it. And rejected it for two reasons. On price, when considering the cost of travel overseas for the print run, and the cost of shipping finished product back, they were within nickels on the price per book. And equally important – they were here – in the US. I have always thought we should support US companies such as The Stinehour Press when we can. A company which put quality first and treats their employees and customer’s with respect. Besides, it only seemed reasonable to have a book about America and its history and landscape be printed here.

But in the end, it seems, the cost of printing overseas did overcome them. They mentioned in their press release they could not compete any longer with overseas pricing when they can print books for what their cost for just the paper would be. This can not just be a labor cost problem. I can only imagine what the cost of health insurance for 26 employees and their families must have been. Imagine if that cost was taken out by having universal health care. Maybe then they would be able to stay and continue their craft of making some of the finest books published. And while some may knock me for being nostalgic here, why is it that we always rush for the lowest price on everything? Doesn’t quality stand for something? I realize the digital age has provided a cheaper, faster way to be able to send off PDF’s of a project to printer’s, have them make a few pages of proofs to be ok’d and then print on demand. But do these books give you the same feel in your hands as one which is handcrafted? Maybe the fact that they worked from 6am to 4pm instead of around the clock put them in a different league, personally, one which I admire. (Oh, and yes, if they were in the middle of a run they did finish it – they didn’t just stop the presses until tomorrow). And that meant family was as important in their company philosophy – at least from what we observed in our time in the Northeast Kingdom. And it showed in their product. Our book The Lewis and Clark Trail American Landscapes, has not only won over a dozen awards, I see it in the faces and hear it in the words the first time someone picks up the book for the first time. Right away they are impressed with the quality. There always seem to be sigh’s of wow, or “hey look at this”, as they show it to someone else. Quality does stand out. It should be what we all strive for.

As Warren Bingham, CEO of The Stinehour Press said in their press release, “These are not good times for American manufacturers. I hope we know the full cost of what we’re buying as a society. When lowest cost is always the determining factor, it might be higher than we think.”

Something to think about. After all, if we can help out Wall Street and their CEO’s when they make unwise structures of mortgages and derivatives, or give huge tax breaks to oil companies making 45 billion in profits – more than most countries gross national products, why can’t we invest in companies worthy of our investment? Companies that care about quality and their employees and customers? Those small companies which really are what America is all about – ingenuity and quality. It is something I don’t understand. It is something 26 people and their families in the northeast now probably wonder about as well.

Yes it is a very sad day for publishing, especially of fine art book publisher’s, but it is also a very sad day for America.

Post Script – When we were at the Stinehour Press we did our first “blog” as a series of posts each day on our website. I will reissue this post today so you can see exactly what it was like to be there. You can find it at www.mackphoto.com/Vermont.html


Winter in the Smoky Mountains

Pines and Snow 

 

Late last week a spring snow storm dropped 12” – 17” on Great Smoky Mountains National Park. This is a rare event, especially in the last few years. As part of my next book project I have been sorting through 30 years of photographs from the park and have found myself woefully lacking winter shots. So with the snow totals looking good, but the temperatures expected to rise back into the 50’s and 60’s, I called my friend who happens to have access to a plane and we took off 24 hours later, on Saturday morning to head down to the snow. This seemed a bit crazy to most around here, since Chicago has been inundated with snow this winter, but it had to be done for the book.

We took off about 6:15am on Saturday morning and flew down the lakefront past Chicago. In the morning light the city looked great from the air and I snapped a few shots as we went by. The remainder of the flight was a beautiful blue sky smooth ride at 9500’. We arrived at the Gatlinburg airport at 10 or so and after picking up the rental car and a bit to eat we were in the park by 11:30.

On the drive up the mountains I started to get concerned because I had yet to see any snow! Were had it all gone? The weather reports had said there was even 5” on the ground in Gatlinburg, but it was not here now! I could not even see it on the edges of the cliffs. The farther up we went the more concerned I was that the trip had been for nothing! But then we reached the altitude where the base of the snow started. At the first creek with snow we pulled over and I began to shoot. It was almost like being in overdrive as I pointed the lens everywhere in a mad rush to get images. Predictably, these first shots were not very thoughtful. But after getting this first stop out of the way I began to settle down and really start to see images. As the snow depth increased, so did my concentration. It takes time and an openness to what is presented in front of you to find the images which will tell a story, make people want to linger over them. You can not be a bull in a china shop and just snap away if you want them to be interesting. You must slow down and see.

I worked streams with their snow covered rocks, hillsides with the pines covered with snow, small detail scenes of snow clinging to rocks, and icicles hanging from the cliffs. The biggest problem was it was a blue sky day – making it very sunny with the light casting shadows and making the images full of contrast. Not the best, but it worked and as the sun began to settle into the west the ridges blocked the light and gave me the perfect mix of soft light.

 

Rocks, Stream and Snow

 

Because we had only one day, and maybe a few hours in the morning, we could not spend any time hiking into some of my favorite places, but stayed near the main road. We saw a lot of folks building snowmen, even putting them around the antennas on their cars so they drove with small snowmen on their windshields. By evening I went to a few of the overlooks which give you those sweeping look up the valleys. Winter is the best time for those long views of the mountains as the clear air enables you to see much further than in the summer. By now there was also a steady stream of overcast clouds moving in, making a sunset either one of those things that will not happen, or will be stunning. I shot at one overlook and then just before sunset went to the most famous overlook for sunset in the park, Morton Overlook. As I pulled in no one else was there. Guess they all figured nothing would happen this evening. I knew enough to hang out and wait, with the camera setup. This brought a few people to pull off the road, some getting out and looking and then going on, some staying. And then, right on queue and as I thought it just might, the sun went below the bottoms of the clouds and lit up the undersides of the clouds in a spectacular sunset. Now cars were pulling off the road in great numbers! I kept shooting while people talked to me. The show would not last more than a few minutes and I had work to do. Within five minutes the sun was gone and the clouds returned to a dark gray. The day was over. It was time to think about the morning shots over dinner.

 

Sunset, Morton Overlook

 

Unfortunately, the weather back in Chicago looked like it would deteriorate early in the day Sunday, instead of staying nice until Monday. After much consternation, we agreed we needed to leave at dawn to get in before the weather in Chicago made it impossible for us to get back in the next three days. It would have been nice to have more time, but in the roughly 9 hours on the ground I was able to get enough I hope to fill out the book with the winter shots I so needed.

 

To see the entire selection of the trip use this link to see my quick gallery of images: www.mackphoto.com/blog/SmokiesWinter/

We’ll soon have a selection of these images for sale online in the Quiet Light Publishing Gallery, http://www.quietlightpublishing.com/shop/Gallery.htm were we already have images from this upcoming book and from the Lewis & Clark Trail American landscapes book.


Our New Blog…

england-20070621-0508.jpgWelcome. We have updated the blog on this new site and hope it meets with favorable results and ease of use. As before we’ll be discussing publishing a photographic book, photography, fine art prints, travel – both on the Lewis & Clark trail and in our National Parks and other locations around the world. I hope you like the new look and will find it fun and informative! I look forward to our discussions online. Remember you can link us with a rss feed by using the links at the bottom of the page to be notified when a new post is online! Enjoy!

Happy Holidays,

Richard