Tag: Great Lakes Project

Lighthouse Beach Poster now available!

If it is summer in Evanston it means hitting the beach! And to commemorate this you can now get my new poster of 15 images from Lighthouse Beach. These images were done over a number of years as part of the Great Lakes Project and show’s the moods of all four seasons.

As part of this project I have spent a lot of time at Lighthouse Beach for many reasons. One, I live about a mile away and have been going to this beach since I was a kid. So for me there is a lot of emotional connection to this beach. It is where I have played as a kid, played with my kids and spent many hours alone looking out over the water. And for the last 30+ years have seen it through a photographer’s eye. The old pier, just to the north of the beach has provided many opportunities for images. Sometimes I am there at dusk alone, other times I might join another photographer or two shooting there as well. It has become a popular spot.

If you’ve been following this blog you know I have been trying to get a shot of the full moonrise with the pier in the frame. To date it has eluded me. Someday I shall prevail, I hope, and get the shot – which is so perfect in my head. Stay tuned.

In the meantime if you are a fan of the beaches around Chicago, and especially in Evanston or even Lighthouse Beach then you need this poster! Purchase it online at http://www.quietlightpublishing.com/ for only $45.00! The poster is 24”x36” and is printed on archival paper – the same as my fine art prints.

Enjoy!
Richard Mack


Changing Your Pre-Conceived Ideas as Needed

Since tonight is another Full Moon yesterday I once again ventured down to my favorite place to shoot this, or try to. As past readers know Lighthouse Beach is about a mile from my house so it is very convenient and has the relics of an old pier to work with. Now I have probably shot there dozens of times, certainly in and around the beach in various seasons. I have never been able to get a shot of the Full Moon rising which I have in my head. And last night I was once again thwarted in my attempt as the clouds moved in as the evening wore on. Yet when confronted with the idea your preconceived image will not be had, or even if it is, the thing I always try to do is look for other images. This may sound simple enough and intuitive – of course you should look for other ideas. But you’d be surprised how many folks just give up. “Oh too bad the sunset isn’t nice.” “Boy I wish the clouds were different.” “Where is the wildlife?” “Boy it is a crappy day out!”

Really? Not sure I’ve ever had a day where you couldn’t get something. Might not be what you were thinking when you started but there is always something. So, struck down in my quest to capture the full moon rising over the old pier yet again, I set about making images in the evening light anyway. I noticed that the lake was not dead calm but almost. What caught my eye this night was how even everything was. The light was flat, the lines of the horizon and the flatness of the water played against the clouds above. I kept the color balance close to 6000K which recorded the scene with a slightly bluer color than what my eyes compensated for. Plus you can always change the color balance when processing the RAW files in Lightroom. 

This night was all about the negative space and the lines which made the images come to life. One of my favorites from the evening was this image of the jetty and water. Very minimal yet it strikes me as a fine image. I also played with selecting just a few of the posts and water. Set against what was left of the evening sunset. 

It is all about letting go of your preconceived notions of what you are after and adapting to the conditions you are given. Something it seems is applicable to more than just photography. I was talking to a class of 7th graders the other day before they started out to investigate their neighborhood with fresh eyes and record it for their journals. I mentioned that part of the process is seeing outside your preconceived notions. Change perspective – don’t just put the camera to your face and snap it. Move up, down, side to side, get in close, step back. Get a different perspective and you may be surprised by the results. I used the water bottle sitting on a desk as an example and told them maybe to get in real tight and shoot just the label, or get in tight but include all the folks behind it. I think they might have thought I was nuts when I said you could make an interesting shot of a water bottle. I wonder if any of them did something like that during their assignment. 

Anyway, back to my point of changing your preconceived notions when needed… just because you go out to capture one image, I have found sometimes the best ones are the ones you never thought of until they were in front of you. Be ready and enjoy the moment!

Peace,
Richard

To View more from this evenings shoot use this link: Sunset at Lighthouse Beach

Postscript: The night to shoot the full moon is the night before it is full as it rises at the same time the sun sets, giving you some daylight to work with in the landscape.


The "Super" Full Moon

почистване

Last night we all enjoyed the “super” full moon – ok a lot of us did- as the moon came close to the earth as it passed its perigee in its orbit making it appear about 18% larger than normal. Now here by Lake Michigan I went down to Lighthouse Beach to shoot the full moon over an old pier that is at the north end of the beach. Much to my surprise, and disappointment, I was not the only photographer there and sadly not the first even though I was a good 40 minutes before moonrise. If you have followed along on the blog and the Great Lakes Project you know this is one of my favorite places to shoot, partly because it is less than a mile from my home and partly because it is a great place to make images.

I took my time getting there and thought it was not going to be a great night because it seemed very cloudy and the chances of seeing the moonrise seemed slim to none. Some friends were also there and we talked as I made a couple of snaps of the old pier. Then as it got closed to moonrise time it just seemed really impossible. I packed up the equipment and we started to walk off the beach. I mentioned to my friends Donna & John that this went against every rule I go by – leaving before the event because you don’t think it is going to happen. As we started up the hill I stopped and said to them, hang on I’m going to wait a few more minutes. And sure enough just then I heard someone say, “Look at the glow!” I quickly made my way to a plot of sand which had an unobstructed view and started to shoot.

It did seem bigger, and more golden in color. Because it was about 40 minutes after sunset it was truly dark out by this time and trying to get a good image was almost impossible. The full moon should really be shot the day before it is officially the full moon. Then it rises about 20 minutes before sunset so you have enough daylight left to illuminate the setting without over exposing the moon. But last night was even cloudier.

As the night took over and the clouds moved back in I also thought, hey, there’s always a full moon next month. In the average lifetime we see about 1000 moons. So here’s to next month…and being the only photographer at the old pier!

Happy Spring!

Richard 


And now for sunrise on Lake Michigan…

Here is an update to last night’s post of the sunset, with images from this morning’s sunrise! I wasn’t planning on going out this morning but found myself wide awake about 5:15 so I decided that since it had been so clear last night that it might make fro a great sunrise. I was disappointed when I saw clouds overhead at the beach. I kept hoping the sun would pop through but it never did. Still all in all I found some interesting shots and the ice had actually opened up a bit it seems even though the temperature outside was only 2 degrees. 

Interestingly I did a custom color balance off the snow which in my opinion was way too warm (for those tech nuts it gave me 13450K!) In Lightroom I brought it down to around 9000K which may still be too warm, but is what I remember it looking like in real life. The first images from before sunrise where shot at 6500K and I left them at that color temp. This was my guess for color temperature before I made a custom image of the snow for white balance. Of course if you are not looking at a color calibrated monitor it might not matter.

Here is a link to my selections from the shoot: Sunrise

And Last nights image selection again: Sunset

Enjoy!

Richard