In Honor of the Last Shuttle Launch – the First Night Launch

July 8, 2011
AviationRichard Mack PhotographyShuttle Launch

In honor of the last shuttle launch today here is a shot of the first night launch. I was privileged to be covering the first night launch of a Space Shuttle on August 30, 1983 when STS-8 took off into the stormy night sky at 2:32 AM Eastern Time from launch pad 39A at the Kennedy Space Center.

As a photographer it was interesting to be down there in the press tent with many famous photographers from Time, Life, National Geographic and others all wondering aloud what the exposure would be. All were sure there plan was best. I heard a photographer for NASA quietly tell someone based on the candle power of the rocket it should be the same as a mid-day launch. I figured he would know best. Since I was shooting on Kodachrome film there would be little room for error. For the night launch I was stationed at the VIP area which then was to the south of the launch pad. The downside became the wires which cut across the launch area. I set the camera for a mid-day exposure and hoped for the best. My second camera I set on automatic exposure. The mid-day setting was correct!

If you never had the opportunity to see one of these machines take to the air I must say you missed one of the most interesting and powerful thing I have witnessed. The beauty of the craft rising above the launch tower was an amazing sight even from 3 miles away – the closet point you could view it from in the press area. From covering a daylight launch I thought I knew what to expect. The rocket rises majestically above the launch tower in silence and then the sound hits you. And I mean hits you. Your shirt starts waving as the sound waves pass you by in a thunderous roar as your breath is taken away momentarily before you continue shooting the shuttle as it speeds down range. During the night launch the unexpected – yet expected part was the amount of yellow light coming from the rocket engines. It did literally turn the area into afternoon.

So today comes the end of the Shuttle program and we can only wonder what might be the next big space program in the United States. God Speed to Shuttle Atlantis on their voyage this week.

Peace,

Richard Mack

Lighthouse Beach Poster now available!

June 22, 2011
Fine Art PrintsGalleryGreat Lakes ProjectLighthouse BeachPrintsQuiet Light PublishingRichard MackRichard Mack Photography

If it is summer in Evanston it means hitting the beach! And to commemorate this you can now get my new poster of 15 images from Lighthouse Beach. These images were done over a number of years as part of the Great Lakes Project and show’s the moods of all four seasons.

As part of this project I have spent a lot of time at Lighthouse Beach for many reasons. One, I live about a mile away and have been going to this beach since I was a kid. So for me there is a lot of emotional connection to this beach. It is where I have played as a kid, played with my kids and spent many hours alone looking out over the water. And for the last 30+ years have seen it through a photographer’s eye. The old pier, just to the north of the beach has provided many opportunities for images. Sometimes I am there at dusk alone, other times I might join another photographer or two shooting there as well. It has become a popular spot.

If you’ve been following this blog you know I have been trying to get a shot of the full moonrise with the pier in the frame. To date it has eluded me. Someday I shall prevail, I hope, and get the shot – which is so perfect in my head. Stay tuned.

In the meantime if you are a fan of the beaches around Chicago, and especially in Evanston or even Lighthouse Beach then you need this poster! Purchase it online at http://www.quietlightpublishing.com/ for only $45.00! The poster is 24”x36” and is printed on archival paper – the same as my fine art prints.

Enjoy!
Richard Mack

Putting together a Portfolio of Images…

May 24, 2011
Black & White PhotographsNew WorkRichard MackRichard Mack PhotographyRichard Mack's Blog

 

I was asked by an art consultant if I had Black & White images she might be able to use for some of her clients, which are both private collectors and corporate collections. I am known for my color work, but I have been shooting Black & White images since I first held a camera when I was 18. I think every landscape photographer wants to shoot those grand B&W images and delicate close-ups in B&W. There is often more emotion in a B&W image, I believe because of the tonality of a great print and the lack of color which takes it to a different, unseen level, from real life.

 

 

So, I went to the files, now all in Lightroom, and selected a few of my favorite images. I also converted a few of my color images I had always thought would be great in B&W as well, even though I love there color versions. I am honestly not sure which way I like them in some cases. Each has a different feel.

 

 

  In going through a series of images shot a few years, or in some cases, many years ago, it is always kind of fun as the memories of each trip come flooding back. This of course can be a hindrance when you are editing as your emotions of the shoot come through and you may include a shot you might not have chosen without such memories. Hence it is sometimes a good idea to have a friend who is either another photographer or designer, or even a curator, to look over your selections. I opted for none of the above this time since time was of the essence. There were some I thought might make my first cut which on closer inspection just didn’t cut it. Other images came to the forefront when I didn’t expect them. Going back over your work also gives you a perspective of your abilities over the years. Both the times you excelled and those when you didn’t. It also gives you a broader look at your style and how you work. I think this is something every photographer should do occasionally, for going back through your work to put together a collection of images is always eye-opening and gives you that broader look at where you have been and where you are headed. This provides several options from which you can springboard forward in your new work.

 

I realize this is just a small sample of my collection of Black and White images. But it is fun to share these for now… to see the select I have made for now use this link: B&W Work  

Enjoy!

Richard

Changing Your Pre-Conceived Ideas as Needed

April 18, 2011
ExpectationsGreat Lakes ProjectLake MichiganLighthouse BeachLighthouse Beach PierRichard Mack PhotographyRichard Mack's Blog

Since tonight is another Full Moon yesterday I once again ventured down to my favorite place to shoot this, or try to. As past readers know Lighthouse Beach is about a mile from my house so it is very convenient and has the relics of an old pier to work with. Now I have probably shot there dozens of times, certainly in and around the beach in various seasons. I have never been able to get a shot of the Full Moon rising which I have in my head. And last night I was once again thwarted in my attempt as the clouds moved in as the evening wore on. Yet when confronted with the idea your preconceived image will not be had, or even if it is, the thing I always try to do is look for other images. This may sound simple enough and intuitive – of course you should look for other ideas. But you’d be surprised how many folks just give up. “Oh too bad the sunset isn’t nice.” “Boy I wish the clouds were different.” “Where is the wildlife?” “Boy it is a crappy day out!”

Really? Not sure I’ve ever had a day where you couldn’t get something. Might not be what you were thinking when you started but there is always something. So, struck down in my quest to capture the full moon rising over the old pier yet again, I set about making images in the evening light anyway. I noticed that the lake was not dead calm but almost. What caught my eye this night was how even everything was. The light was flat, the lines of the horizon and the flatness of the water played against the clouds above. I kept the color balance close to 6000K which recorded the scene with a slightly bluer color than what my eyes compensated for. Plus you can always change the color balance when processing the RAW files in Lightroom. 

This night was all about the negative space and the lines which made the images come to life. One of my favorites from the evening was this image of the jetty and water. Very minimal yet it strikes me as a fine image. I also played with selecting just a few of the posts and water. Set against what was left of the evening sunset. 

It is all about letting go of your preconceived notions of what you are after and adapting to the conditions you are given. Something it seems is applicable to more than just photography. I was talking to a class of 7th graders the other day before they started out to investigate their neighborhood with fresh eyes and record it for their journals. I mentioned that part of the process is seeing outside your preconceived notions. Change perspective – don’t just put the camera to your face and snap it. Move up, down, side to side, get in close, step back. Get a different perspective and you may be surprised by the results. I used the water bottle sitting on a desk as an example and told them maybe to get in real tight and shoot just the label, or get in tight but include all the folks behind it. I think they might have thought I was nuts when I said you could make an interesting shot of a water bottle. I wonder if any of them did something like that during their assignment. 

Anyway, back to my point of changing your preconceived notions when needed… just because you go out to capture one image, I have found sometimes the best ones are the ones you never thought of until they were in front of you. Be ready and enjoy the moment!

Peace,
Richard

To View more from this evenings shoot use this link: Sunset at Lighthouse Beach

Postscript: The night to shoot the full moon is the night before it is full as it rises at the same time the sun sets, giving you some daylight to work with in the landscape.